Why three wildly different design directions isn’t strategy

December 23, 2024
Posted by
Tyson Sheean

In creative industries, we’ve inherited a long-standing ritual: present the client with three completely different design directions. One safe. One moderate. One “off the wall.”
It’s been happening for decades.

But here’s what I think:
Three wildly different directions isn’t strategy. It’s guesswork.

Good strategy narrows the design field. Bad strategy widens it.
And when designers (or agencies) show radically different concepts, what they’re really admitting is: “We’re not sure what the problem is, so here are three stabs at it.”

Death by options

Clients often feel reassured by choice. Agencies feel protected by offering it. But strategic clarity isn’t about volume, it’s about direction.

When your design options are unrelated, you’re not presenting strategy-driven solutions.
You’re presenting bets.

Real strategy doesn’t produce a scattershot of possibilities.
It produces a family of ideas connected by the same truth.

Three related directions is a good sign

When your concepts sit in the same universe, same logic, same intention, same strategic foundation that’s when you know you’re onto something. If you reach the concept phase and honestly feel:

“Any of these answers the brief. Any of these speaks to the strategy.”
then you’ve done it right.

You’ve created alignment across thinking, design, execution, and outcome. And that’s the goal.

When should you run for the hills?

If you’ve ever been presented with three options labelled something like:

  1. Safe
  2. Moderate
  3. Off the wall

…it’s usually a sign of one of two things:

  1. The brief wasn’t tight.
  2. The strategy never existed in the first place.

It’s a reveal, not of creativity, but of uncertainty.

Great designers don’t need to hedge their bets.
They don’t need one idea “just in case.”
They don’t need to create a scattergun of styles to see what sticks.

They need clarity.
And clarity comes from strategy.

“Give Me the Freedom of a Tight Brief.”

There’s an old advertising adage I love:

The narrower the focus, the more creative you can be.

Constraints aren’t restrictions; they’re launch pads.
A focused brief gives designers freedom, the freedom to explore deeply, not widely.
It allows them to push, stretch, and elevate ideas within a meaningful framework, instead of drifting across disconnected territories.

When we tighten the brief, you don’t get less creativity.
You create a space for it to flourish.

The Takeaway

Great brands aren’t built on “safe / moderate / wild.”
They’re built on direction.

Strategy creates clarity.
Design amplifies it.
Execution reinforces it.

Three smartly related directions?
That’s a sign of strength.

Three shots in the dark?
That’s a sign to go back to the brief.